But here’s the thing: Hari couldn’t have known Vasudha and Aarav’s relationship in any detail, because the former went missing for half a decade (the period when Vasudha fell for Aarav), and when he finally returned, he was so paranoid and intimidating that his wife, already in love with another man, left him. One of the early scenes in the film has Hari (Rao), a mental asylum patient, turning up at the funeral of his wife, Vasudha (Balan), whom he hasn’t seen for 21 years however, he soon flees with her ashes and leaves a book for his son that is, for the most part, about Vasudha’s relationship with Aarav Ruparel (Emraan Hashmi), a wealthy hotelier. However, his latest, Hamari Adhuri Kahani, is a sharp contrast to his earlier films, because you don’t associate actors like Vidya Balan or Rajkummar Rao with a Suri film.īut Hamari Adhuri Kahani is as good an example as any of the fact that an impressive cast alone cannot save a film, especially one that’s riddled with plot holes aplenty. ![]() Since his debut, Zehar, released in 2005, Suri has averaged almost one film per year, but his movies are remembered more for their soundtracks, less for their storylines or directorial ingenuity. A Mohit Suri film doesn’t come with a lot of expectations.
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